惯性的基础上涉及“倾向于没有或保持不变的直接链接到被压迫，是可靠的在三个文本的后果。通过忽视他们的处境，受害者允许压迫性的权威人物来控制他们的生活。缺乏热情和自我价值仍然是他们拒绝承认反抗和反抗压迫他们的人的核心。在《动物庄园》中，奥威尔用Boxer作为俄罗斯无产阶级的象征。他可以被看作是在农场辛勤工作的工人，他不断宣称“拿破仑永远是正确的”。奥威尔用这种象征揭示工人和他们不能有自己的看法导致失控的压迫的非智力因素。雪莱在“无政府状态”的面具的支持和使用“图像”的象征意义，试图通过宣布“在自己的遗嘱”没有强烈的控制是受压迫的无产者激励激励。很明显，雪莱和奥威尔认识到，如果没有社会的约束，就不能有言论自由。不能够有自己的见解被压迫群众成为叛逆和讲出来的焦虑。当他们终于有了一个改善自己生活的平台时，他们觉得自己无法改变它。这可以从“无政府状态的面具”中看出，当群众被告知要“像狮子一样在沉睡后崛起”以激励他们。利用一个沉睡的狮子从睡梦中醒来的雪莱的形象给人的印象是英国人反应太慢的变化周围的人或许是由于害怕反响积聚。再一次，奥威尔通过狗的形象展现了权威人物的恐惧。狗追逐雪球后，农场上的动物们“沉默而恐惧”。这些狗的残忍被用来控制动物在生活中的各个方面。狗可以被看作是奥威尔的象征，斯大林的秘密警察，谁喜欢狗，安装到无产阶级的恐惧使他们站出来反对他们腐败的领导人很难。雪莱和奥威尔都认为这是一种社会缺陷，需要通过其他来源的动机或教育来加以改革。
英国萨里大学论文代写:惯性的基础
The basis of inertia relates to ‘a tendency to nothing or to remain unchanged’ linking directly to the consequences of being oppressed which is relatable across the three texts. By ignoring their situations the victims allow oppressive authority figures to control their lives. A lack of enthusiasm and self-worth remains at the core of why they refuse to acknowledge the need to rebel and rise up against the people who oppress them. In ‘Animal Farm’ Orwell uses Boxer as a symbol for the proletariat in Russia. He can be seen as an exploited hard worker on the farm who continuously declares that “Napoleon is always right”. Orwell uses this symbolism to reveal the unintelligence of the workers and their incapacity to have their own views leading uncontrollably to their oppression. Shelley within ‘The Mask of Anarchy’ supports this and uses the symbolism of the ‘Image’ and its encouragement to try motivating the proletarians by declaring that “to hold no strong control over your own wills” is to be free from oppression. It’s evident that Shelley and Orwell recognise this inability to have freedom of speech without the need to stay within the constraints of their society. By not being able to have their own opinion the oppressed masses become anxious of rebelling and speaking out. When they are finally given a platform to improve their lives they feel unable to change it for themselves. This can be seen in ‘The Mask of Anarchy’ when the masses are told to “Rise like lions after slumber” in an effort to motivate them. By using the imagery of a sleepy lion awaking from slumber Shelley creates the impression that the Englishmen are slow to react to changes around them perhaps as a result of a build-up from fear of repercussions. Again, Orwell presents this installation of fear by authoritative figures through the imagery of the dogs. The animals on the farm were “silent and terrified” after the dogs chased Snowball away. The brutality of these dogs is used to control the animals in every aspect of their lives. The dogs can be seen as Orwell’s symbolism of Stalin’s secret police, who like the dogs, installed fear into the proletariats making it difficult for them to speak out against their corrupted leader. Both Shelley and Orwell recognise this as a social defect that needed to be reformed either by motivation from other sources or by education.
