帕台农神庙在多利克神庙中是无与伦比的，因为它有第二个飞边(飞边:在建筑和飞檐之间的古典飞边的一部分，通常用低浮雕装饰)。帕台农神庙的护壁布沿着地窖的墙壁延伸，穿过里面的柱子。这是天才的一击，就像雅典市民审慎的雕塑广告一样，长达500多英尺。这个特殊的装饰物描绘了雅典市民的高贵游行，提醒市民们他们每四年为雅典娜女神举行一次庆典。有一群赤身裸体的骑手骑在他们的马背上，显得无比荣耀。雅典的少女们领着一队游行队伍来到了主持庆典的宙斯和雅典娜的宝座前。受他们作为希腊最高公民的自信鼓舞，他们自信地把自己描绘在众神之中。希腊人是一个对自己和上帝赋予的能力高度自信的文明。这在当时的建筑中表现得淋漓尽致，最明显的莫过于帕台农神庙了。帕台农神庙骄傲地，有些人可能会骄傲地说，骄傲地展示了雅典人是希腊乃至整个地区的高级公民。这种信念将在这个时代的文学作品和建筑中持续多年。
英国留学生论文代写:帕台农神庙
The Parthenon was unparalleled among Doric temples as it had a second frieze (Frieze: the part of a classical entablature between the architrave and the cornice, usually decorated with sculpture in low relief). The Parthenon’s frieze ran along the cella wall and across the inner columns. It was a stroke of genius as acted as a sculpted advertisement for Athenian civic prudence, which was more than 500ft long. This [particular frieze depicted a noble parade of Athenian citizens, reminding the citizens of their festival held every four years for the Goddess Athena.The frieze had a naked horsemen sitting on their horses in all glory, it had Athenian maidens leading a parade to the thrones of Zeus and Athena, who presided over the celebration. Inspired by their self belief as being the supreme citizens ofGreece, they confidently portrayed themselves among the gods.The Greeks were a civilization who had a high confidence of themselves and of there God given abilities. This was shown in many ways with their architecture at the time, none more evident than the Parthenon inAthenswhich proudly, and some may say arrogantly, displayed the Athenians as a higher class of citizen I Greece and throughout the region. This belief would continue on in years to come through the literature and buildings from this era.
