从我拿起这样写道“如果你忘了我'，象征和拟人化的角色扮演，巴勃罗地遵守许多生动的事物基本的人类特征赋予。这包括人格化方面很直观地当他谈到“香气，轻金属”的东西进行（提醒他）他对他的爱。在这，聂鲁达很勤奋，象征着他亲近他爱的人即使他吸入了他最后的，它有效的诗的意境，让读者思考一样，回到原点，我强烈地感到，他所有的决定（巴勃罗）作为一个诗人，用每一个文学装置和文体元素，他已经有了名声，寻求他，一直是并将在保持读者恳求他的主题创造和提出的好奇的读者与魔法是足够成功。总的来说，巴勃罗通常没有情节甚至结构一致的事。然而，这并不一定意味着传统的读者会受到无聊。巴勃罗确保了他所采用的各种风格和文学手法，如拟人、象征、意象、重复等多种多样的充满活力的组合，使读者保持热情。我认为Neftali在他画的情感是独特的，爱和损失，特别是，这是他应该得到表扬。
英国地质学论文代写:如果你忘了我
Picking up from where I wrote of ‘If You Forget Me’, symbolism and personification play a humungous role abiding by which Pablo benevolently grants many vivid things basic human characteristics. This encompasses the aspect of personification quite illustratively when he talks of “aromas, light and metals” as the things that carried (reminded him of) him to his love. Along with this, Neruda so diligently symbolized him being intimate with the love of his life even when he inhaled his last, that it efficiently coloured the mood and atmosphere of the poem, permitting the reader to ponder upon the same.Coming back to square one, I strongly feel that all his decisions (Pablo’s) as a poet, when employing each and every literary device and stylistic element that he has, have stalwartly built him a reputation that has been, is and will be successful enough in keeping readers beseeching the magic that his motifs and themes have created and presented the curious reader with. In general terms, Pablo does not usually have a plot or even a consistent structure for that matter. Nevertheless, this does not necessarily mean that a conventional reader would be subject to ennui. Pablo has made sure that the polychromatic and vibrant mix of stylistic elements and literary devices such as personification, symbolism, imagery, repetition, etc., that he incorporates every time keeps the reader zealous. I think Neftali is unique in his way of painting emotions, love and loss especially, and this is something that he should always be commended for.
